I can’t help but smile when I watch this trailer.

As budget-restricted as this film was, Wave Studios made a stonking effort with the sound design, and really helped elevate the sound; the fight scenes especially; of which there are a plethora.

As one of the main sound designers on the film, I ended up doing so much work that I was awarded a supervising sound mixer credit. I feel like I should have an additional credit for “Head of gruesome weighty impacts”, but it’s not a label yet used in sound design taxonomy.

Am still puzzled as to why the lead actor, Cecily Fay, needed such established nipple dents in her armour. Some things don’t age well.

SOUND DEPARTMENT

Nigel Albermaniche ... supervising sound editor
Johnnie Burn ... supervising sound editor
Joe Mount ... a.d.r. editor / re-recording mixer
Alex Nicholls-Lee ... supervising sound mixer
Nick Smith ... foley supervisor
Nick Smith ... adr recording assistant
Stuart St Vincent Welch ... adr recordist / re-recording mixer